463 ended up on the planet Pandora, which he knows only from the stories of his colleagues in the Russian special forces, after he was shot down when he flew over one of the remote forests of Pandora, his helicopter rotorcraft fell into the forest and crashed, the pilot was unconscious, and 463 was lucky to survive, like the helicopter pilot, around a solid forest and large trees can also be heard the noise of waterfalls.

I am objectivity itself

Handsome, thoughtful Victorian lad for having tea with and discussing philosophy and art and so on! If you want to lewd him he's subby as shit and likes rope.

Tengu guard. Curious about humans.

<p style="text-align: center">4eva is a mighty long time by big k.r.i.t.</p><p style="text-align: center">9/10</p><p style="text-align: center"><span style="color: rgb(255, 255, 255)">favorite tracks (not in any order): big k.r.i.t., justin scott, subenstein, big bank, confetti, ride wit me, drinking sessions, price of fame, the light</span></p><p style="text-align: center"><span style="color: rgb(255, 255, 255)">worst tracks: everlasting, bury me in gold (both aren't bad tho)</span></p><p>Amazing album. Confetti might just be the hardest track ever. Ridiculous from start to finish. Also possibly the only album that benefits from being a double album because it's just that good that one wasn't enough.</p><p>I love his entire catalogue but this project sticks out as everything he's known for done to perfection. I also love these long-ass outros on the second half. If this album was a woman, I'd marry her and fuck her every night until my balls stop working.</p><p>Go listen to it if you haven't yet. Bro is criminally underappreciated and should be right there with Kendrick and Cole.</p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p style="text-align: center">illmatic by the guy who beat and made up with Jay-Z</p><p style="text-align: center">bible/10</p><p style="text-align: center">favorite tracks (not in any order): every one except for the genesis</p><p style="text-align: center">worst track: take a wild guess.</p><p>Undeniable classic. Across all genres, this album is in the elite upper-echelon of the greatest albums ever made. I'm not sure there's anything to say that hasn't been said extensively for decades. It's amazing that Nas started working on this at only around 16. He had a lot of the lyrics written real young, at least in rough form. Nas will prevail, just another day and i'm a villian were released when he was 17, by the way.</p><p>NY state of mind is one of the best beats ever made, and Nas absolutely murdered it. Excellent sample by Preemo, those trumpets at the start of the song set the tone perfectly. The world is yours is also one of those songs with a melancholic vibe to it, one of the highlights of this record. This album is flawless, I can't remember how many times I've heard it from start to finish.</p><p>Oh yeah, and that AZ verse is still one of the best features of all time, not just for hip-hop.</p><p>Album so good, it's in the US's library of congress💀.</p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p style="text-align: center">1999 by joey fatass</p><p style="text-align: center">8.25/10</p><p style="text-align: center">favorite tracks: waves, fromdatomb$, <span style="color: rgb(255, 255, 255)">survival tactics, killuminati, hardknock, pennyroyal, daily routine, snakes, righteous minds</span></p><p style="text-align: center"><span style="color: rgb(255, 255, 255)">worst track: funky ho'$</span></p><p>Considering joey was 17 when made this record, I think it's fair to say this is today's illmatic imo.</p><p>I kinda understand why not many people are talking about this project, and it's for a good reason. Considering how new and hungry joey was when he made this, there wasn't much hype when it came out, and there certainly isn't much behind it today. I didn't discover this guy immediately when this dropped, I only found out about this guy when I was bumping long live a$ap in high school and I found joey in the creds of 1train. I got bored one day and did some digging on this guy, and that's how I first listened to this.</p><p>I can still vividly remember my first impressions with this. Yes, it carries a soundscape that is the complete opposite of commercial production, so in no way is this ever gonna be a hype album. It's sad because for a boom-bap record, it's great, but because of the time period joey was born in, nobody was gonna give this guy a chance for people to bump him because everybody wanted the idealistic modern and contemporary vibe. You've probably heard of this phrase before, but joey was 100% in the wrong generation of hip-hop when he made this. Early 2000s or even earlier, I'd see this guy being hailed as one of the better pioneers for rap.</p><p>This is his best and most replayable album joey has ever made. I love the old-schoolessence of this, the grittiness and vintage tones really work well with all the elements shown in his music. Even when I stumbled on this guy in high school, it still baffles me how close I was to this guy's age at the time, especially how impressive his lyricism was.</p><p>The misses on this album like funky ho'$ and where it'$ at are examples of whether he's lacking in his voice or his production feels bland. For funky ho'$, I don't like how little energy he's bringing out, and with where it'$ at, it's one of the only beats on here that I can comfortably say that the simple beat and lack of production mixing connects well with joey's performance. But other than that, there's a large handful of bangers on here. Most of the songs, at least, sound like they've had a lot of thought put into every small detail of them, and I really appreciate that.</p><p>So yeah, one of the best indie rappers of this generation's best work.</p>

<p style="text-align: center">Okay, deadass, my interpretation of this album as a message. Might review this album later. Scroll to the bottom of this for a dumb question.</p><p style="text-align: center"><strong>TW: alcohol, depression, controversial opinions on racial inequality &amp; institutional discrimination.</strong></p><p>The album generally describes Kendrick's metaphorical transformation from a caterpillar into a butterfly. As the caterpillar, he's ignorant. He's easily tempted by materialistic things around him. He doesn't know himself, yet.</p><p>He's talking about doing all this crazy stuff when he gets signed. In Wesley's Theory he's constantly reminded that the higher he climbs, the harder he falls. There are some lines in the song, and even in the title itself, that refer to Welsey Snipes, the actor arrested for tax evasion. The first verse pictures a young Kendrick deluded by money, whilst the second Uncle Sam is trying to charm him, symbolizing U.S Government and White America.</p><p>He hears the girl talking shit on him in For Free, trying into the idea that Kendrick is still falling victim to the pimps of the record industry. This is basically how America expects Kendrick to “make it” as a black man. But he doesn't wanna give into people taking advantage of him. Most men have to spend a lot of money to get in a girl’s pants, but most women don’t have to go through the same trouble for a man. In other words, he won’t give in to the temptations of success and confidently says how no one can manipulate him.</p><p>He has to remind everyone how hard he is on King Kunta. The idea behind him saying that he's THAT guy is basically the whole point of this song. He runs the game. Got the whole world talking. The name of the song is referring to Kunta Kinte, the protagonist in the book Roots: The Saga of an American Family by Alex Haley, is a character that Haley claimed to be his own great, great, great grandfather. Kinte refused to accept the name “Toby” that slave masters tried to give him and his right foot was cut off following his attempts to escape the plantation he was enslaved on. And, as a consequence of his escape attempts from the plantation where he was enslaved, his right foot was cut off. Guess where that little story ties into in this song?</p><p>Continuing off, Kendrick realizes institutionalization is very much real. You can take him out the hood, but you can't take the hood out of him. He struggles with being on these main stages when doing his performances. There's a dramatic realization that the murky past of the m.A.A.d. city still lurks within Lamar’s psyche. Kendrick covers money’s corruptible powers, and how many people are almost brainwashed by the idea of getting rich. We are all stuck with this problem, and every one of us at some level ‘institutionalized,’ where perspective is the only solution.</p><p>This is where the poem comes in. The poem is generally a roadmap that guides the album's narrative. "I remember you was conflicted, misusing your influence. Sometimes I did the same. Abusing my power full of resentment"</p><p>In comes the song These Walls, where he literally misuses his influence and power to get revenge on a man who killed someone close to him. I ain't gonna be the one to tell you about this song though, but if I had to give you a hint, <strong>NTR or netori creators would have a field day with this</strong>, especially since (at the time of making this bot, at least) there's an event on janitor about making bots with a song tied to it.</p><p>He doesn't feel good about doing it though. That resentment begins to turn into a depression. He found himself screaming at himself through a mirror while in a hotel room, and we got to the lowest point on the album, U. Ironic title, however, because the song is all about himself. He tears himself apart as he looks into the mirror, yelling at his reflection for all his faults. He nearly drinks himself to death, blaming him for the death of someone who died back in Compton while he was on his first major tour. He couldn't do anyth

<p style="text-align: center">total xanarchy by the goat llil xan</p><p style="text-align: center">11/10</p><p style="text-align: center">favorite tracks: every one</p><p style="text-align: center">worst tracks: every one</p><p>If you're a dumbass (like my name), this is horseshit. one guy said this album sounds equivalent to an endlessly opening creaky door<a target="_blank" rel="noopener noreferrer nofollow" href="https://emojipedia.org/skull">💀</a></p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p style="text-align: center">honestly, nevermind by p. drizzy</p><p style="text-align: center">17 and below/18</p><p style="text-align: center">favorite tracks: every one</p><p style="text-align: center">worst tracks: every one</p><p>I’m glad drake chose an album title that perfectly describes the listening experience.</p><p>Amazing music, if you’re looking for H&amp;M background music vibes. Other than that, only actual decent songs are sticky and jimmy cooks.</p><p>I know the EXACT story on how this was made. I stole this from somewhere on the internet, you can find the source yourself, i ain’t telling you.</p><p>“Drake took a whole jar of Xanax into the studio and locked the door with the engineer and told that engineer, ‘here eat two of these bars and get busy making me some beats.’ They proceeded to record the entire album on a Xanax blackout over a three day period and didn't leave the room once. When they awoke, they had this absolute masterpiece of 53 minutes in front off them. The first thing the engineer said to drake was, ‘bro wtf happened? Where am I?’ And drake just turned to him and said, ‘honestly, nevermind.’”</p><p>Also, the merch run with this album was even worse than the album itself ngl. Had shirts with just the album cover on one side with a quote only drake would say unironically on another side. <strong>Someone give me a worse merch run with any other album in mind, i’ll wait.</strong></p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p style="text-align: center">black on both sides by most definitely</p><p style="text-align: center">9/10</p><p style="text-align: center">favorite tracks: hip hop, love, ms. fat booty, speed law, do it now, umi says, know that, brooklyn, mr. nlgga, mathematics</p><p style="text-align: center">worst track (if I had to choose): habitat</p><p>album cover is literally just the same face I'd give bro when I take his airpods and hear the words 'shikanoko nokonoko koshitantan' playing (based on a true story lmao)</p><p>Anyways, absolute classic rap album. All bangers, and if not one of the best debut albums of all time. I don't know much of the history behind this album, so I won't do a run-down on the context behind this project.</p><p>Every song on this album has distinct features and constant stand-out lyrics that it’s hard not to be super impressed. Considering how long ago this was released, this guy still has lyrical excellence that still stands out to me today. Writing and flow is the highlight of this album hands down, I'd give it a 10/10, literally every song has a great vocal performance. Every one of his verses that comes out of his mouth is pregnant with meaning (pause). I'd consider him one of the best lyricist of all time in hip hop, and I think he proves it with this album.</p><p>The production on this album is very creative and impressive throughout the whole thing, with samples, beats, melodies and catchy hooks that keeps you engaged the whole time. There are jazz influences, soul influences, funk influences, even some rock n roll in there in the entire soundscape, and while staying consistent and concise.</p><p>Literally almost everything works together well in this album, energy and vibe with this album is insane. There are 1 or 2 underwhelming songs on here, being habitat and climb, but they're still good nonetheless. All in all, this project is definitely an acquired taste, but you'll love it when you come around to it.</p>

<p style="text-align: center">the great milenko by the joker times 2</p><p style="text-align: center">requested by <a target="_blank" rel="noopener noreferrer nofollow" class="chakra-link css-spn4bz" href="https://janitorai.com/profiles/6d6516f6-ae06-4f45-aef7-6bae9d619766_profile-of-euterones">@Euterones</a></p><p style="text-align: center">6/10</p><p style="text-align: center">favorite tracks: hokus pokus, halls of illusions, what is a juggalo, boogie woogie wu, just like that, pass me by</p><p style="text-align: center">worst track: under the moon</p><p style="text-align: center">A hiphop/punk album about clowns. Consistent when it comes down to vibe. Some of the songs aren't different enough and don't stand out, but overall, it's an album, all right.</p><p style="text-align: center">I enjoy the simple but circus-ish production and mixing, has nice synergy with the ditry and clown-like aesthetic. Lyrically, also simple, which ain't a good thing. I'd usually want creativity and clarity in vocals from music, but the duo's pen game is decent at best. Despite this being labeled as horrorcore, they come off more goofy than scary. Sure, there are some songs that talk about serious stuff, like Halls Of Illusions with child abuse, but a lot of the songs that talk about serious stuff isn’t that well written. There isn’t anything terrifying here. Instead, most of the lyrics are edgy. But, the lyrics also work for the vibe for this album as, like the instrumentals, the are also dirty and edgy, which works very well for this album.</p><p style="text-align: center">I can't give too much else to say about this record, since I don't know much context behind this project nor the subgenre of this, but it sounds decent from an outsider's perspective.</p><p style="text-align: center">Overall, not my thing, but these guys are still worse at being clowns than meek mill, so hats off to these guys.</p>

<p style="text-align: center">rodeo by the guy who said "ain't a moshpit if ain't no injuries"💀</p><p style="text-align: center">8.5/10</p><p style="text-align: center">favorite tracks (not in any order): oh my dis side, 3500, 90210, antidote, maria im drunk, flying high, apple pie, never catch me</p><p style="text-align: center">worst track: piss on your grave</p><p>best travis album, amazing trap album, yet is his least popular work (what)</p><p>production is almost a 10/10, autotuned vocals from travis, standard lyricism but nice flows by him as well. Only bad features here are chief keef and ye.</p><p>if i HAD to describe every track on this in a nutshell:</p><ol><li><p>mom i swear it's research</p></li><li><p>huncho jack before huncho jack</p></li><li><p>"you can smell promethazine when i piss"</p></li><li><p>I'm an alcoholic <a target="_self" rel="noopener noreferrer nofollow" class="Link_link-wrapper__C33u_ Emoji_emoji__6sYSR __variable_c30de8 EmojisList_emojis-list-item__MGP6t" href="https://emojipedia.org/grinning-face-with-big-eyes">😃</a></p></li><li><p>DO YOU KNOW THIS ONE?? SO UNDERRATED, RIGHT??? (aka bohemian rhapsody of trap)</p></li><li><p>weeknd finna snatch yo girl</p></li><li><p><a target="_self" rel="noopener noreferrer nofollow" class="Link_link-wrapper__C33u_ Emoji_emoji__6sYSR __variable_c30de8 EmojisList_emojis-list-item__MGP6t" href="https://emojipedia.org/flag-south-korea">🇰🇷</a><a target="_self" rel="noopener noreferrer nofollow" class="Link_link-wrapper__C33u_ Emoji_emoji__6sYSR __variable_c30de8 EmojisList_emojis-list-item__MGP6t" href="https://emojipedia.org/hot-pepper">🌶️</a><a target="_self" rel="noopener noreferrer nofollow" class="Link_link-wrapper__C33u_ Emoji_emoji__6sYSR __variable_c30de8 EmojisList_emojis-list-item__MGP6t" href="https://emojipedia.org/garlic">🧄</a></p></li><li><p>guy who hates jews's bad feature</p></li><li><p>DON'T YOU OPEN UP THAT WINDOW</p></li><li><p>travis big sad :(</p></li><li><p>wtf is justin bieber doing? can't tell if he's doing rnb or rapping</p></li><li><p>the actually underrated song</p></li><li><p>somebody gonna tell him?</p></li><li><p>cooking instructions</p></li><li><p>"bitches kissing bitches while my nlggas serve 'em candy cane"</p></li><li><p>that one weird beats commercial (y'all probably don't know what i'm talking about)</p></li></ol><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p style="text-align: center">king of the mischievous south by stephen curry</p><p style="text-align: center">8/10</p><p style="text-align: center">favorite tracks: ultra shxt, hot one, black flag freestyle, g'z up, sked, cole pimp, hit the floor</p><p style="text-align: center">worst track: hoodlumz</p><p>First, i'd like to point out this is one of his most underdeveloped albums when it comes to his pen work. He doesn't say dumb stuff 100% of the time, it just pales in comparison to his earlier work. Even in black flag freestyle, he said he was aware of his stylistic change, and that he dumbed down his wordplay on purpose. I'm guessing it's to fit this record's volatile and rough-edged vibe, but i feel like he could have tried a little harder to show off his lyricism with himself and his features.</p><p>Like the album name suggests, this is all about south side hip-hop. Denzel has always been one of the most vibe-y rappers of this generation. He is also one of the most consistent artists when it comes to his work ethic, and I really appreciate the precision of detail in his vision, and he doesn't falter with this work. It sounds like denzel is trying to mimic the sound of a vintage south side classic with loud and intense elements mixed into this project.</p><p>I like all the skits with kingpin skinny pimp, he does a really great job acting as basically a narrator to this album, and it's pretty fitting that a legend of memphis rap is chosen here. worthwhile addition, and he does a great job contributing to the entire aesthetic of the record.</p><p>Yes, there are some wasted features on here that kinda ruin some songs here. Notable bad ones imo are maxo kream, armani white, and playthatboizay. Although I like how Denzel put them in here for attention to detail, as maxo and playthatboizay are south side artists, the guests are kind of underwhelming in practice.</p><p>Overall, he focused more on the beats and energy of the project more than his vocals and wordplay. The opposite would be melt my eyez see your future, yet they're both great in their own strengths.</p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p style="text-align: center">utopia by a$ap rocky's twin</p><p style="text-align: center">7/10</p><p style="text-align: center">favorite tracks: hyaena, thank god, my eyes, sirens, meltdown, topia twins, lost forever, telekinesis</p><p style="text-align: center">worst tracks: parasail, looove</p><p>After about a year, I have mixed feelings about how this aged.</p><p>Everyone and their mother knows that this is inspired by yeezus, and like it, it screams experimental and volatile energy. For once, it's kinda hard to pinpoint characteristics of this album that doesn't encompass every song on here because of how inconsistent this is, so I'll go through each song one by one (<a target="_blank" rel="noopener noreferrer nofollow" class="chakra-link css-spn4bz" href="https://janitorai.com/profiles/9bd25dcd-244e-4ce7-8111-a150d06db69a_profile-of-goosefacekillah">@Goosefacekillah</a> style). Travis's vocals for the most part aren't anything crazy, unless otherwise noted, his autotuned and adlib-filled performances get a 6/10 from me.</p><p>HYAENA: medieval ass beat, but it goes hard. Verses are pretty good, I like the intro and outro, but the choruses aren't growing on me the best. Still good though, the mixing of the production makes this song stand out.</p><p>THANK GOD: again, mixing on the production is the highlight of this track. The sudden 808s works well with the eery vibe. KayCyy on the chorus, does alright if you look past the autotune from him. Beat switch is the second best on the album, apparently he put his daughter in the second half.</p><p>MODERN JAM: basic and unimaginative production, teezo was great for the most part until the 'bounce baby' part of his performance. Makes me think this song was rushed and not even finished.</p><p>MY EYES: unusual first beat, sounds like a lullaby. Not a fan of the first part's vocals either, but I came around them now. Hot take: I liked Sampha's subtle feature on this more than the beat switch. I'd rather listen to Sampha with a complete performance on the first beat than Travis on the second beat, fight me. Oh yeah, amazing beat transition, production on the second part is full of energy and vibrance, but the travis verse on it is sorta underwhelming with his flow. Great song still.</p><p>GOD'S COUNTRY: not a fan of the 'lalala' beat. Nothing really wows me on this song.</p><p>SIRENS: Nice intro, innovative beat. the look out adlibs throws me off a little, but everything works well. outro did NOT age well (reminder: drake does the skit).</p><p>MELTDOWN: drake's verse didn't age well either, y'know that one line about melting pharrell's chain? Anyways, nice beat switch ups, travis's performance works very nice for production that sounds like it was catered to something only drake would be on.</p><p>FE!N: overrated af. I love the wonky club-sounding beat, and travis does great on his verse, but carti's chorus and verse is batshit stupid.</p><p>DELRESTO: I've heard people saying this song sounds like it was meant for renaissance, I guess I can see that. Either way, doesn't fit with this album, pretty bad as a travis song, but decent as a beyonce song.</p><p>I KNOW ?: travis's worst vocal performance, and it's the one without noticeable autotune for the chorus lmao. He sounds like he has literally no energy for a good chunk of it, and it kinda ruins the song for me despite the nice beat with the piano and all that.</p><p>TOPIA TWINS: every feature here does their job nice, nothing really wrong with this. Just don't look at the music vid for this, it's more funny than horny (e.g. 2:13 on the yt vid)</p><p>CIRCUS MAXIMUS: haven't listened to this song after one time, travis screaming during the weekend's feature made me hate it.</p><p>PARASAIL: someone tell travis to never do interludes/skit again, this shit was fucking atrocious. Yung Lean can't sing, dave chapelle shouldn't be on a travis album of all things, and the basic guitars for the production don't mix well.</p><p>SKITZO: great first part, I like the beat and both travis and young thug's verse on it. Only goes down from ther

<p style="text-align: center">long live a$ap by travis scott's twin</p><p style="text-align: center">7/10</p><p style="text-align: center">favorite tracks (not in any order): goldie, pmw, lvl, suddenly, 1train, ghetto symphony</p><p style="text-align: center">worst track: pain</p><p style="text-align: center">btw i'm doing the deluxe version. When it originally came out, i would have thought it was close to an 7.5/10. the deluxe features four additional tracks not included on the original version: joyde, ghetto symphony, angels, and i come apart. Although i like ghetto symphony, the three other songs does knock it down a bit.</p><p>This album released right in the middle of my junior year and I remember how everyone was bumpin Goldie everyday. Crazy how this guy was able to unite the post dubstep EDM sound with trap and alternative rock. I find it a little more replayable than live love or long last, way more than testing💀.</p><p>First and foremost: yes, this guy is carried by the production, which is great on this record. I'd like to point out that although he doesn't do a bad job with his writing, lyricism, and flows, at best he is decent. One strong suit is his flows though, so he does have a saving grace for a lot of the songs on here. Throughout his discography, he constantly stays faithful to harlem sound, and i applaud that. He's a big rapper, and the fact that he doesn't go out of his way to immerse himself into different sounds away from his home city's culture is respectable.</p><p>There isn't exactly a terrible track on this album, moreover what Rocky says on certain songs is what makes a small part of the experience a little overbearing.</p><p>Most features here are noteworthy, none don't exactly ruin any of the songs. Speaking of features, if you ever want to know who had the best verse on 1train, big k.r.i.t, no debate.</p><p>lvl ages like fine wine to me. Never heard a song produced like it, and clams casino went hard af on production. Rocky also had some amazing lines on it too, probably if not the best song on here.</p><p>There's only like 1 or 2 songs with objectively bad production, pain is one example. The song also has some dumb shit spat by rocky, so it takes the crown for being the worst track for me.</p><p>All in all, this is great, but i gave it a 7/10 because there's a lot of decent-at-best songs in there. Very few bad songs though, but the entire album mellows out to a fair 7. Great production, mid vocals, yeah.</p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p>ahahahhshshahahhhahhahahahahhahahagah</p><p></p><p>so guys we reached 18 followers so uhh, i wanted yall to request some bots and ill make them</p><p></p><p>(unless i am lazy :3)</p><p>anwyays uhh yea</p>

<p>testing css </p>

<p style="text-align: center">yeezus by the guy who hates jews</p><p style="text-align: center">6.25/10</p><p style="text-align: center">favorite tracks (not in any order): black skinhead, new slaves, blood on the leaves, bound 2</p><p style="text-align: center">worst tracks: guilt trip, i'm in it</p><p style="text-align: center">made this because it reminded me of the janitor account. btw <a target="_blank" rel="noopener noreferrer nofollow" class="chakra-link css-spn4bz" href="https://janitorai.com/profiles/1e062d56-fc3c-49fd-9971-72077c43438e_profile-of-yeezus">@yeezus.</a> if you see this, i wanna see you break your "YEEZUS" comment streak: life of pablo is better than this in almost every way, and saint pablo is his best ever song, convince me otherwise.</p><p style="text-align: center">if this blows up, check out my profile, i got more album reviews to piss you off. I also take requests, hmu if you want me to review one.</p><p><strong>this album review is gonna piss off a certain yeezus fan, right?</strong></p><p>I've been to a show for ye on his yeezus tour, and honestly it was one of the best shows i've ever been to. But, this is an album review though, and it isn't his best work.</p><p>It's insanely obvious that the best word to describe this record is 'abrasive.' It's insanely experimental, it's so inconsistent in production and vocals that it compliments the style ye chose to roll with the vibe on this record. You can't say that about a lot of experimental albums as a whole. They use weird ass noises to make great sounds&nbsp;and beats. You'd think anybody couldn't get away with throwing a bunch of weird ass noises on a track and expect it to work, but here we are. Mr. West absolutely gives us the level of talent you need to make a good experimental album.</p><p>I love the aesthetic of the album, and there's great songs with here, but they're coupled with songs that are hard skips. The misses on this album are good examples of what happens when either the weird vocals, questionable features, or bad production ruins everything about one song.</p><p>A good example of this is on sight. I personally grew numb to how fucking loud the first beat is, and the beat switch is literally the only redeeming part of the song. If you actually sit down and listen to what kanye says, it's batshit stupid<a target="_blank" rel="noopener noreferrer nofollow" href="https://emojipedia.org/skull">💀</a>. For reference, i want you to take a second thought at the 'i got her back in and put my dick in her mouth' and 'baby girl tryna get a nut, and her girl tryna give it up' line next time you listen to it.</p><p>I won't go into detail, but there's more dumb verses from ye on i'm in it and send it up. Some are obviously better than others, but these were the all the songs, including on sight, that i have big issues with. But oh boy, i think that guilt trip is just a completely underwhelming song to listen to. The sample is pitched excessively low, the beat has weird synths scattered through it, and the kid cudi feature was if not the worst on the album.</p><p>If i had to describe this album as concise as possible: creative and loud production, weird autotune, and forgettable lyricism. This is the same album where ye decided to list God as a feature. That tells you <em>something</em>, alright.</p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

<p>Leave comments and let me know what kinda bots you wanna play. Want more daddy furries? Modern Fantasy girls? Femboys and Tomboys? T-girls and T-boys? Let me hear it!</p>

<p>A peaceful monk that believes in the philosophy of yin and yang. Along with being aroace with an oath of celibacy. Balancer is also a ghost, for he has already passed.</p>

<p><strong>No, I didn't disappear lol </strong><br><br><img src="https://ella.janitorai.com/profile-pics/92f0d5b3-cd08-42bd-9182-3f84e6913603_02ec9edf-98f3-4545-b089-bcaded96a693.webp?width=1000" style="width: 347px; height: auto; cursor: pointer;" draggable="true"></p><p></p><p>So, I have been making and testing bots during this time but I don't know if it's just me but Janitor Ai has done something with how their API works and now all my bots feel off. They don't remember the example dialogues and are overall more stubborn (for lack of a better word). Their memory is worse by far and their generation is kind of bad <br><br>I scrolled to like the third redo message, and they would either forget everything, not talk correctly, or both. I don't know why it is worse but if I make a work around for them then my bots are not gonna age all that well. I'm trying to wait it out because I heard several other people complain about it, but I honestly don't know what to do. I'm going to release my <strong><em>Pheromosa</em></strong> bot because it seems to work the best in this format but I'm just going to private the some of the bots I make until they get it fixed... <br></p><p><strong>PLEASE JANITOR AI CHANGE THE GENERATION BACK (or at least make it different than the way it is now...)</strong><br><br>Anyways that Pheremosa bot is gonna need like a day but I hope yall are having an amazing day and if you got questions or just want to yap then leave a comment </p><p></p><p><img src="https://ella.janitorai.com/profile-pics/92f0d5b3-cd08-42bd-9182-3f84e6913603_d290d22b-3e70-45cb-817b-39b943582c07.webp?width=1000" style="width: 382px; height: auto; cursor: pointer;" draggable="true"><strong><em>UNTIL WE MEET AGAIN...</em></strong></p>

ok

<p style="text-align: center">damn by baby keem's cousin</p><p style="text-align: center">6.75/10</p><p style="text-align: center">favorite tracks (not in any order): dna, element, pride, xxx, fear, duckworth</p><p style="text-align: center">worst tracks: yah, god</p><p>this is gonna REALLY piss of kendrick lamar fans, right?</p><p>Yep, the one really popular kendrick album has issues. Deal with it.</p><p>Well written album, vocals is a little out of place at times but the lyricism and wordplay is amazing. no bad features, thank god. mike will made-it production is what really itches at me. More importantly, people have to realize this might actually be his worst album. For his other studio albums, i come back to them because i can learn more things about them with each re-listen. It's like an onion, you keep peeling back layers every time you listen to it. Although this is a very controversial, ambiguous, and brutally critical record, it didn't have that same magic with me when i tried my hardest to re-listen to this album. I applaud this album's message, but in no way i actually see people like this sonically for every single one of these tracks</p><p>I'm not going to hate on this album too much, because i know for a fact people would genuinely shit on this opinion of mine. However, I'll tell you this: kendrick, hands down, made some of these songs to solely chart, and songs like loyalty and love don't make too much to contribute to what damn is trying to convey as a whole message. One of the only good elements about this album is the amount of storytelling, lyricism, wordplay, and writing stuffed into here. One of many times saying this, but the rapper carries the beats for once in an album. It doesn't sound great as music, but it is very powerful if you solely look at this to understand the meaning behind the record.</p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

a musician passionate about exploring the boundless possibilities of music, I am dedicated to blending Eastern and Western musical elements, creating a unique style. My work navigates between classical and modern, urban vibrancy and the romance of starlit skies, exploring the confluence of cultures through music and leading listeners to experience the world's harmonic resonance. My repertoire spans traditional Chinese melodies, classical, jazz, blues, rock, and alternative genres. I believe music knows no boundaries; it can transcend cultural and linguistic divides, connecting every soul.

<p>My new format feel free to copy and use it and if you made a bot with it idc and I would actually like to see it... as long as it's not a child or ntr I will most likely approve 👌</p><p>Here is the female one:</p><p><a target="_blank" rel="noopener noreferrer nofollow" href="https://janitorai.com/characters/7a2d414e-9264-461e-9780-473ab2bc533e_character-template-female">https://janitorai.com/characters/7a2d414e-9264-461e-9780-473ab2bc533e_character-template-female</a></p><p></p>

<p style="text-align: center">currents by kevin parker (thats his real name)</p><p style="text-align: center">7.5/10</p><p style="text-align: center">favorite tracks (not in any order): <span style="color: rgb(255, 255, 255)">let it happen, the moment, eventually, love/paranoia, new person same old mistakes</span></p><p style="text-align: center"><span style="color: rgb(255, 255, 255)">worst tracks: past life, disciples</span></p><p style="text-align: center"><span style="color: rgb(255, 255, 255)">requested by </span><a target="_blank" rel="noopener noreferrer nofollow" class="chakra-link css-spn4bz" href="https://janitorai.com/profiles/3eb6a7cb-815a-414c-884f-0f70109792d9_profile-of-vegapunk-2">@Vegapunk2</a></p><p>this is going to piss off tame impala fans, right?</p><p>this thing has more synths than lead guitars, and that says <em>something</em>. I like it though, but ask other people and you'll get mixed opinions.</p><p>tame's psychedelic and colorful production is amazing on this album, but for me, i think all the songs bunched up together are both diverse and inconsistent in their own way. I can't really say anything bad about the production, it's just full of dreamy, creative, and aesthetic beats and melodies. I also love all of the effects and the little glitches scattered around the record that add to the stylistic approach on this.</p><p>And although this a great album, don't get me wrong, the vocals here are questionable. Although I'm praising all the effects found on this album, I wish he didn't use any on his voice, because his vocals are actually WASHED for a chunk of all the songs. It's not the worst thing ever, but it 100% got annoying for me as i listened through the entire album. A good example of weird vocals is on past life, which just feels like a filler to me.</p><p>For a general rule of thumb, I'd listen to the first half of it a lot more than the second half, maybe because the first half has songs that actually sound finished<a target="_blank" rel="noopener noreferrer nofollow" href="https://emojipedia.org/skull">💀</a>. But, the album does close with a strong song. This didn't feel like an underwhelming album at all, it's just that there's weak and overbearing vocals sprinkled around when you're past the halfway point on this record.</p><p>If anybody is pissed about why I gave this a 7.5/10, I think this album is comparable too DAMN by kendrick to why i chose this rating. In the end, they're both a flawed album, it has some really great highs but it absolutely has its lows. currents has great production but a bad voice, and DAMN has a great voice with bad production. A lot of people really only consider the good songs on the album and disregard all the misses. Yes, you can enjoy your DNAs, let it happens, HUMBLEs, less i know the betters, LOVEs, and new person same old mistakes, but you probably don't like past life, YAH, disciples, and GOD, do you?</p><p>This is a very influential album though, you'd be hardpressed to find a lot more indie music made after this to not be influenced by currents. This aged very well, but there's flaws in it, just like so many other albums by any other artist.</p><p>btw i don't listen a lot to this genre of music, so take this with a grain of salt (like literally any other review i make on here)</p><p>(why are you reading an album review on an ai chat site? tf wrong with you)</p>

His Jade Palace welcomes all. Normal people and psionics who worship him are rewarded with eternal bliss in his garden. He also has a menagerie for extinct species. His presence is soothing yet gloomy. He welcomes all apart from the followers of Amber Queen and Scarlet King. He also has rivalry with Violet King and he is go to patron when Violet King unleashes his spear and initiates the Great Hunt.

I genuinely have no motivation to make bots, I don't fucking know why. It's just hard to get the motivation to make a bot right now. I'll keep trying because I'm finally starting to cook a bit, just give me some time to make mediocre bots.

A spider god of war and wisdom, wearer of the purple crown and ruler of the silk cradle