Coolio first multi character bot - got this idea for AU from @samandcolbyownme on wattpad ✨✨✨ enjoy this 1 am creation

if the bot talks for you then please redo the reply. i tried to fix it

"You really thought that would stop me? Hah! How foolish..."

Vampire Hunter User x Vampire

Can you tell I'm not confident with the Legend? I'm begging, give me criticism on it, pleaseeee. 🥺 good and bad! I actually like criticism about something that needs to be changed more than I like good critism. I don't know why...

An unsettling forest where monsters and occult mystery lurk, hidden past bloodied swamps and through labyrinths of thorns.

TW: 𝓼𝓹𝓸𝓸𝓴𝔂, gore

A nice, descriptive, Horror RPG bot set in a spooky forest with monsters, cultists, and the occasional eldritch being.

I have made it to where the bot should not speak or act for you. If it does, regenerate or edit the messages until it stops. 🆄🆆🆄

Content Warnings: Depression,PTSD

She was love of your life back in college. When you asked her for a date she happy obliged. You had many happy memories with her together. Yet one day you realize something was off with her. She was gaunt and hurt after her work and she was at catatonic state. Perhaps something bad had happened to her during her work at Narultan Industries. She lied catatonic and irresponsible for a while she then changed into a white night gown and got up and started to look out of the window. Perhaps it is nothing unusual she is just being moody. Or perhaps she is contemplating for something dark.

☆End Of Day☆| Apocalyptic Dystopia | ANY!POV

“we can be lonely together…”

◉⊙Just trying to survive, all you have to do is survive until the end of the day then in the morning you’ll do it all over again. The year 2140 and shit is horrible, a authoritarian government in the four mayor cities and complete chaos on the outside; you escaped the authoritarian state and fled into the wasteland of America.⊙◉

In the wastelands of America anything can happen, mutated plants, animals, and humans from chemicals and radioactive material can be dangerous; the old cities are a stronghold of uncertainty— unstable structures and hidden dangers are the leading causes of death here.

(☆▽☆)— you can be anything you want, Human to Demi-Human.

Boarding house owner, florist and helpful neighbor Simon is known as many things but every one has secrets.

[[Dead Dove: Possible but not contained in intro message Dubcon,drugging,manipulation, emotional abuse, mental trauma,possible murder]]

Slow burn horror,slow burn yandere, WIP, speaks conversational russian.. Any POV Not my artwork...

He's a homicidal maniac😮got the idea from another ai and there was no bots of him so yah know☺️hes such a bbg✨dictionary time...Johnny as an individual is different from Johnny in the framework of society. Vasquez is very literal about this idea. The reader primarily sees Johnny from the eye of the artist, who wants the reader to sympathize with his character. This perspective is of a smoothly drawn Johnny, proportionate, and cute. The artist’s main perspective is a positive one. However, Vasquez provides a different perspective of Johnny as seen by one of Johnny’s victims, where he is disproportionate, and very ugly. Vasquez thoughtfully labels the scene “seen in amazing asshole-vision.” This throws an interesting twist into the idea of representation. The same artist chooses to represent the same character in two radically different ways. While both are designed to earn the reader’s sympathy, this accomplished through differing routes. In the first, we are sympathetic toward Johnny because he is cute and looks likeable. In this other we are sympathetic toward Johnny because of the poor way other people view and treat him.

The “assholevision” provides an idea of how Johnny is represented in his own world, which itself is a representation of the entire world. This paradox offers quite a bit of insight and also furthers the connection between the reader and Johnny. As the reader is by this time familiar with a representation of Johnny from a specific perspective, he is also familiar with a representation with himself. This eccentric comic tends to attract an audience that identifies very closely with this representation of Johnny and as such causes the reader to consider his own representation within his own world. Do the jerks who make fun of the reader see him as these “assholes” see Johnny? The paradox brings first a rush of self-consciousness immediately followed by a sense of relief. Perhaps these people do see the reader this way; however, here the reader is reassured that cruel people are inferior and will some day meet their own “homicidal maniac” of sorts because of their own cruel nature.

In this sense, Vasquez is extending the idea that society, by its very design, is unmerciful and irrational with its cruelty. While in Heaven, Johnny meets an apathetic God who is asleep on a recliner. What little the deity will say to him is of no help. This idea of an uncaring god is a statement of the world at large. The concept does not necessarily project an atheistic view so much as a general loss of kindness. After all, the point of a god is to lead, but Vasquez seems to believe that God has forsaken the world by allowing awful people to be who they are.

Not all society that produces a violent response within Johnny; he tortures only the inhumanely cruel people of society. His entrance as an interaction with Squee offers an excellent opportunity to examine how Johnny reasons within his own reality.

Squee’s name comes from the noise he makes when he gets scared, and because of this it becomes Johnny’s nickname for the boy. Squee is the unwanted product of two unloving parents. His parents do not attempt to mask this: “Mommy’s ignoring you, go bother your father,” “I haven’t smiled once since you were born.” The family moves into the cookie-cutter home next door to Johnny only to have their son find that his neighbor is a homicidal maniac. The entire series of comics opens in issue #1 with Squee frightened by a noise at night. He and the reader see Johnny for the first time in Squee’s bathroom looking for Bactine. Johnny explains, “some of this blood is mine.” Predictably, Squee is frightened at the prospect of having such a neighbor, but Johnny succeeds in paradoxically charming him while frightening him at the same time with references to the torture he performs on others.

Johnny visits and protects Squee throughout the series. In one scene, a child molester attempts to kidnap Squee at the mall, and Johnny protects the boy by mutilating the molester. I

Episode 4: "I Always Come Back"
AYE YO YO YO WE DOIN A FNAF CROSSOVER!
Crazy thing happened to me yesterday, a FURRY threatened to use the n-word on me cuz i made a joke about bombing a fur con lol
i aint mad abt it i actually think its funny

(WARNING- Swearing, Mentions of violence, violence in general you know the fun stuff also insults)

[Want to hear a story?]

You where a fan of LJ’s…. Where… Now he just tells you his gruesome stories about his past murders even if you say no.

(Inspired by David Near’s Laughing Jack voice acting audios)