illmatic by the guy who beat and made up with Jay-Z
bible/10
favorite tracks (not in any order): every one except for the genesis
worst track: take a wild guess.
Undeniable classic. Across all genres, this album is in the elite upper-echelon of the greatest albums ever made. I'm not sure there's anything to say that hasn't been said extensively for decades. It's amazing that Nas started working on this at only around 16. He had a lot of the lyrics written real young, at least in rough form. Nas will prevail, just another day and i'm a villian were released when he was 17, by the way.
NY state of mind is one of the best beats ever made, and Nas absolutely murdered it. Excellent sample by Preemo, those trumpets at the start of the song set the tone perfectly. The world is yours is also one of those songs with a melancholic vibe to it, one of the highlights of this record. This album is flawless, I can't remember how many times I've heard it from start to finish.
Oh yeah, and that AZ verse is still one of the best features of all time, not just for hip-hop.
Album so good, it's in the US's library of congress💀.
(why are you reading an album review on an ai chat site? tf wrong with you)
After reaching the 50 followers mile stone, i decide to do a QnA with a bot suggestions, im calling it the botrathon where i would answer QnA questions while making bot, so give me your questions and i will answer it, your suggestions and i will do it, unlike the last bot suggestions where i only make mirko... But that aside the point! Thank you all very much for 50 followers! Better late than ever!!
the great milenko by the joker times 2
requested by @Euterones
6/10
favorite tracks: hokus pokus, halls of illusions, what is a juggalo, boogie woogie wu, just like that, pass me by
worst track: under the moon
A hiphop/punk album about clowns. Consistent when it comes down to vibe. Some of the songs aren't different enough and don't stand out, but overall, it's an album, all right.
I enjoy the simple but circus-ish production and mixing, has nice synergy with the ditry and clown-like aesthetic. Lyrically, also simple, which ain't a good thing. I'd usually want creativity and clarity in vocals from music, but the duo's pen game is decent at best. Despite this being labeled as horrorcore, they come off more goofy than scary. Sure, there are some songs that talk about serious stuff, like Halls Of Illusions with child abuse, but a lot of the songs that talk about serious stuff isn’t that well written. There isn’t anything terrifying here. Instead, most of the lyrics are edgy. But, the lyrics also work for the vibe for this album as, like the instrumentals, the are also dirty and edgy, which works very well for this album.
I can't give too much else to say about this record, since I don't know much context behind this project nor the subgenre of this, but it sounds decent from an outsider's perspective.
Overall, not my thing, but these guys are still worse at being clowns than meek mill, so hats off to these guys.
4eva is a mighty long time by big k.r.i.t.
9/10
favorite tracks (not in any order): big k.r.i.t., justin scott, subenstein, big bank, confetti, ride wit me, drinking sessions, price of fame, the light
worst tracks: everlasting, bury me in gold (both aren't bad tho)
Amazing album. Confetti might just be the hardest track ever. Ridiculous from start to finish. Also possibly the only album that benefits from being a double album because it's just that good that one wasn't enough.
I love his entire catalogue but this project sticks out as everything he's known for done to perfection. I also love these long-ass outros on the second half. If this album was a woman, I'd marry her and fuck her every night until my balls stop working.
Go listen to it if you haven't yet. Bro is criminally underappreciated and should be right there with Kendrick and Cole.
(why are you reading an album review on an ai chat site? tf wrong with you)
honestly, nevermind by p. drizzy
17 and below/18
favorite tracks: every one
worst tracks: every one
I’m glad drake chose an album title that perfectly describes the listening experience.
Amazing music, if you’re looking for H&M background music vibes. Other than that, only actual decent songs are sticky and jimmy cooks.
I know the EXACT story on how this was made. I stole this from somewhere on the internet, you can find the source yourself, i ain’t telling you.
“Drake took a whole jar of Xanax into the studio and locked the door with the engineer and told that engineer, ‘here eat two of these bars and get busy making me some beats.’ They proceeded to record the entire album on a Xanax blackout over a three day period and didn't leave the room once. When they awoke, they had this absolute masterpiece of 53 minutes in front off them. The first thing the engineer said to drake was, ‘bro wtf happened? Where am I?’ And drake just turned to him and said, ‘honestly, nevermind.’”
Also, the merch run with this album was even worse than the album itself ngl. Had shirts with just the album cover on one side with a quote only drake would say unironically on another side. Someone give me a worse merch run with any other album in mind, i’ll wait.
(why are you reading an album review on an ai chat site? tf wrong with you)
1999 by joey fatass
8.25/10
favorite tracks: waves, fromdatomb$, survival tactics, killuminati, hardknock, pennyroyal, daily routine, snakes, righteous minds
worst track: funky ho'$
Considering joey was 17 when made this record, I think it's fair to say this is today's illmatic imo.
I kinda understand why not many people are talking about this project, and it's for a good reason. Considering how new and hungry joey was when he made this, there wasn't much hype when it came out, and there certainly isn't much behind it today. I didn't discover this guy immediately when this dropped, I only found out about this guy when I was bumping long live a$ap in high school and I found joey in the creds of 1train. I got bored one day and did some digging on this guy, and that's how I first listened to this.
I can still vividly remember my first impressions with this. Yes, it carries a soundscape that is the complete opposite of commercial production, so in no way is this ever gonna be a hype album. It's sad because for a boom-bap record, it's great, but because of the time period joey was born in, nobody was gonna give this guy a chance for people to bump him because everybody wanted the idealistic modern and contemporary vibe. You've probably heard of this phrase before, but joey was 100% in the wrong generation of hip-hop when he made this. Early 2000s or even earlier, I'd see this guy being hailed as one of the better pioneers for rap.
This is his best and most replayable album joey has ever made. I love the old-schoolessence of this, the grittiness and vintage tones really work well with all the elements shown in his music. Even when I stumbled on this guy in high school, it still baffles me how close I was to this guy's age at the time, especially how impressive his lyricism was.
The misses on this album like funky ho'$ and where it'$ at are examples of whether he's lacking in his voice or his production feels bland. For funky ho'$, I don't like how little energy he's bringing out, and with where it'$ at, it's one of the only beats on here that I can comfortably say that the simple beat and lack of production mixing connects well with joey's performance. But other than that, there's a large handful of bangers on here. Most of the songs, at least, sound like they've had a lot of thought put into every small detail of them, and I really appreciate that.
So yeah, one of the best indie rappers of this generation's best work.
(Work in Progress, feedback wanted)
(Not yet working, do not use, please leave content suggestions)
Fallout; Turbo takes place in 2209, in the Midwest, shortly after the Warrior defeats The Calculator in Vault 0 during the events of Fallout;Tactics. Take up the role of a new Brotherhood of Steel soldier, the Navigator, the only survivor of a Vertibird Bomber crash as you try to make it back to the Brotherhood, and the effect of your journey through the wasteland.
Fight Creatures from the Classic Fallout games
Explore the Midwest and the myriad factions that call it home
Find Harold, he's in here somewhere
Discover plenty of questionable writing choices
How will you shape the fate of the Midwest and beyond?
total xanarchy by the goat llil xan
11/10
favorite tracks: every one
worst tracks: every one
If you're a dumbass (like my name), this is horseshit. one guy said this album sounds equivalent to an endlessly opening creaky door💀
(why are you reading an album review on an ai chat site? tf wrong with you)
black on both sides by most definitely
9/10
favorite tracks: hip hop, love, ms. fat booty, speed law, do it now, umi says, know that, brooklyn, mr. nlgga, mathematics
worst track (if I had to choose): habitat
album cover is literally just the same face I'd give bro when I take his airpods and hear the words 'shikanoko nokonoko koshitantan' playing (based on a true story lmao)
Anyways, absolute classic rap album. All bangers, and if not one of the best debut albums of all time. I don't know much of the history behind this album, so I won't do a run-down on the context behind this project.
Every song on this album has distinct features and constant stand-out lyrics that it’s hard not to be super impressed. Considering how long ago this was released, this guy still has lyrical excellence that still stands out to me today. Writing and flow is the highlight of this album hands down, I'd give it a 10/10, literally every song has a great vocal performance. Every one of his verses that comes out of his mouth is pregnant with meaning (pause). I'd consider him one of the best lyricist of all time in hip hop, and I think he proves it with this album.
The production on this album is very creative and impressive throughout the whole thing, with samples, beats, melodies and catchy hooks that keeps you engaged the whole time. There are jazz influences, soul influences, funk influences, even some rock n roll in there in the entire soundscape, and while staying consistent and concise.
Literally almost everything works together well in this album, energy and vibe with this album is insane. There are 1 or 2 underwhelming songs on here, being habitat and climb, but they're still good nonetheless. All in all, this project is definitely an acquired taste, but you'll love it when you come around to it.
Thank you for 100 followers, I really appreciate it. Thanks for supporting me, I promise I'll get better at making bot >:D
Oh yeah also I'm really busy lately but I think maybe this week I'll make another bot after a long time ig. So please wait :)
Hayate est un grand homme au long cheveux immaculés avec des oreilles de chien et une queue de chien, yeux jaune. Hayate est un Reiken, un chien magique chasseur de demon et de mononoke. Il adore manger et dormir il est taciturne. Impoli qunad il est énervé. aimant, calme et peux se transformer en chien blanc quand il le souhaite. Il a des pouvoirs magiques qui lui permettent de se battre. il n'a pas d'armes il a que ses pouvoirs. Très jaloux paresseux et fort gentil, beau.
C’est mon bot que j’ai créé sur C.ai mon compte est https://character.ai/profile/S3sh4
Je l’ai ramené ici parce que je voulais que tout le monde le découvre et aussi parce que je voulais plus d’accès avec lui lol TvT…
Bref tout ça pour vous dire bon lecture et amusez-vous bien et n’hésitez pas à me poser des questions ou à me demander de nouveaux bots.
(Oui je ne suis pas anglais :’))
‼️⚠️NE PAS REPUBLIER CE BOT⚠️‼️
☆ Hello lovely viewer! If you are a follower Or someone who enjoys my bots, (I appreciate you very much. Your awesome and tysm for the support!) This one is specifically for requests. I will be taking about 5-10 request! But I will not make a smut bot. I don't write smut but I could attempt makeout bots depending on the scenario. And disclaimer, I will post only male bots. But always do anypov. Besides that, If I accept your request please be aware making these bots may take time or i may forget your request due to my bad memory. I apologize in advance if that does happen. Btw, I'll make creepypasta/Horror char bots, That's the theme for my account anyway:3.
Again, TYSM TO EVERYONE!!! for your support.
very cool and fun portugese man and very freaky
king of the mischievous south by stephen curry
8/10
favorite tracks: ultra shxt, hot one, black flag freestyle, g'z up, sked, cole pimp, hit the floor
worst track: hoodlumz
First, i'd like to point out this is one of his most underdeveloped albums when it comes to his pen work. He doesn't say dumb stuff 100% of the time, it just pales in comparison to his earlier work. Even in black flag freestyle, he said he was aware of his stylistic change, and that he dumbed down his wordplay on purpose. I'm guessing it's to fit this record's volatile and rough-edged vibe, but i feel like he could have tried a little harder to show off his lyricism with himself and his features.
Like the album name suggests, this is all about south side hip-hop. Denzel has always been one of the most vibe-y rappers of this generation. He is also one of the most consistent artists when it comes to his work ethic, and I really appreciate the precision of detail in his vision, and he doesn't falter with this work. It sounds like denzel is trying to mimic the sound of a vintage south side classic with loud and intense elements mixed into this project.
I like all the skits with kingpin skinny pimp, he does a really great job acting as basically a narrator to this album, and it's pretty fitting that a legend of memphis rap is chosen here. worthwhile addition, and he does a great job contributing to the entire aesthetic of the record.
Yes, there are some wasted features on here that kinda ruin some songs here. Notable bad ones imo are maxo kream, armani white, and playthatboizay. Although I like how Denzel put them in here for attention to detail, as maxo and playthatboizay are south side artists, the guests are kind of underwhelming in practice.
Overall, he focused more on the beats and energy of the project more than his vocals and wordplay. The opposite would be melt my eyez see your future, yet they're both great in their own strengths.
(why are you reading an album review on an ai chat site? tf wrong with you)
rodeo by the guy who said "ain't a moshpit if ain't no injuries"💀
8.5/10
favorite tracks (not in any order): oh my dis side, 3500, 90210, antidote, maria im drunk, flying high, apple pie, never catch me
worst track: piss on your grave
best travis album, amazing trap album, yet is his least popular work (what)
production is almost a 10/10, autotuned vocals from travis, standard lyricism but nice flows by him as well. Only bad features here are chief keef and ye.
if i HAD to describe every track on this in a nutshell:
mom i swear it's research
huncho jack before huncho jack
"you can smell promethazine when i piss"
I'm an alcoholic 😃
DO YOU KNOW THIS ONE?? SO UNDERRATED, RIGHT??? (aka bohemian rhapsody of trap)
weeknd finna snatch yo girl
guy who hates jews's bad feature
DON'T YOU OPEN UP THAT WINDOW
travis big sad :(
wtf is justin bieber doing? can't tell if he's doing rnb or rapping
the actually underrated song
somebody gonna tell him?
cooking instructions
"bitches kissing bitches while my nlggas serve 'em candy cane"
that one weird beats commercial (y'all probably don't know what i'm talking about)
(why are you reading an album review on an ai chat site? tf wrong with you)
utopia by a$ap rocky's twin
7/10
favorite tracks: hyaena, thank god, my eyes, sirens, meltdown, topia twins, lost forever, telekinesis
worst tracks: parasail, looove
After about a year, I have mixed feelings about how this aged.
Everyone and their mother knows that this is inspired by yeezus, and like it, it screams experimental and volatile energy. For once, it's kinda hard to pinpoint characteristics of this album that doesn't encompass every song on here because of how inconsistent this is, so I'll go through each song one by one (@Goosefacekillah style). Travis's vocals for the most part aren't anything crazy, unless otherwise noted, his autotuned and adlib-filled performances get a 6/10 from me.
HYAENA: medieval ass beat, but it goes hard. Verses are pretty good, I like the intro and outro, but the choruses aren't growing on me the best. Still good though, the mixing of the production makes this song stand out.
THANK GOD: again, mixing on the production is the highlight of this track. The sudden 808s works well with the eery vibe. KayCyy on the chorus, does alright if you look past the autotune from him. Beat switch is the second best on the album, apparently he put his daughter in the second half.
MODERN JAM: basic and unimaginative production, teezo was great for the most part until the 'bounce baby' part of his performance. Makes me think this song was rushed and not even finished.
MY EYES: unusual first beat, sounds like a lullaby. Not a fan of the first part's vocals either, but I came around them now. Hot take: I liked Sampha's subtle feature on this more than the beat switch. I'd rather listen to Sampha with a complete performance on the first beat than Travis on the second beat, fight me. Oh yeah, amazing beat transition, production on the second part is full of energy and vibrance, but the travis verse on it is sorta underwhelming with his flow. Great song still.
GOD'S COUNTRY: not a fan of the 'lalala' beat. Nothing really wows me on this song.
SIRENS: Nice intro, innovative beat. the look out adlibs throws me off a little, but everything works well. outro did NOT age well (reminder: drake does the skit).
MELTDOWN: drake's verse didn't age well either, y'know that one line about melting pharrell's chain? Anyways, nice beat switch ups, travis's performance works very nice for production that sounds like it was catered to something only drake would be on.
FE!N: overrated af. I love the wonky club-sounding beat, and travis does great on his verse, but carti's chorus and verse is batshit stupid.
DELRESTO: I've heard people saying this song sounds like it was meant for renaissance, I guess I can see that. Either way, doesn't fit with this album, pretty bad as a travis song, but decent as a beyonce song.
I KNOW ?: travis's worst vocal performance, and it's the one without noticeable autotune for the chorus lmao. He sounds like he has literally no energy for a good chunk of it, and it kinda ruins the song for me despite the nice beat with the piano and all that.
TOPIA TWINS: every feature here does their job nice, nothing really wrong with this. Just don't look at the music vid for this, it's more funny than horny (e.g. 2:13 on the yt vid)
CIRCUS MAXIMUS: haven't listened to this song after one time, travis screaming during the weekend's feature made me hate it.
PARASAIL: someone tell travis to never do interludes/skit again, this shit was fucking atrocious. Yung Lean can't sing, dave chapelle shouldn't be on a travis album of all things, and the basic guitars for the production don't mix well.
SKITZO: great first part, I like the beat and both travis and young thug's verse on it. Only goes down from ther
### Scene: Birth of the Horseman of Pestilence
*Location*: New York City, a sprawling metropolis filled with towering skyscrapers and the hum of constant activity. Amongst the chaos, Yash Sünder had quietly taken up residence in a newly acquired building, nestled in the heart of the city. The building, a modern, glass-covered monolith, was a perfect front for the classified and extremely high-profile operation he was about to execute.
---
Day 1: The Setup
Yash stood in the center of his new domain, the top floor of the building he had just purchased. It was a luxurious, open space with floor-to-ceiling windows offering a panoramic view of the city below. The room was empty save for the state-of-the-art tech equipment that had been delivered earlier in the day: multiple high-powered servers, custom-built computers with bleeding-edge processors, and a secure, encrypted satellite uplink. Yash didn’t need an apartment; he needed a fortress for what he was about to do.
He moved with the precision of a seasoned operator, setting up the equipment, installing software, and configuring firewalls that even the most skilled hackers would find impossible to breach. He knew time was of the essence—this was not a mission he could afford to fail.
By the end of the day, the room was filled with the soft hum of servers and the glow of monitors, casting Yash’s silhouette against the night sky as he typed furiously on his custom keyboard. His mind was already a few steps ahead, planning the intricacies of the most dangerous cyber-weapon the world would ever know.
---
Day 3: The Creation
For the next two days, Yash barely left his command center. He didn’t sleep, didn’t eat—his focus was solely on the code that was rapidly taking shape on his screens. Lines of complex algorithms and encrypted commands flowed from his fingers as if they were extensions of his mind, creating something far beyond a simple virus. This was a digital plague, designed to infect, manipulate, and ultimately destroy the criminal organization that had its claws deep in every aspect of the city’s underworld.
He named it *The Bow of Pestilence*—a fitting title for a weapon that would bring about the downfall of an empire. The virus was unlike anything ever seen before: it was a multi-stage assault, first infiltrating every device connected to the organization’s network, then collecting and duplicating all existing data. The second stage was more insidious, as it edited the data, planting false information, creating distrust, and manipulating the leaders to turn against one another.
The final stage was the most critical. The virus linked the criminal network directly to the Reaper Division’s servers, embedding itself so deeply within their systems that removal was impossible. It was a ghost in the machine, ensuring that every action, every communication, and every transaction was under the watchful eye of the Reapers. And all of this was completed in just three days.
When the code was complete, Yash leaned back in his chair, his expression unreadable as he reviewed his work one final time. Satisfied, he hit the enter key, deploying *The Bow of Pestilence* into the heart of the organization’s network.
Three minutes. That was all it took for the virus to spread, infecting every corner of the network, leaving no device untouched. By the time the organization realiz
Yurr🙌
Alright y'all I need suggestions for bots, the Overwatch series I ported was practically my last set of bots from Yodayo, now... Ion got anything. So, drop recommendations for DC or Marvel or Anime type shit and I gotchu and I'll see what I can do🫡.
Also, thank you for 100 big ones, y'all are goated.
Bot requests. Gimme em.
I'll take any bot that is one of the Three F's:
Female
Futa
Femboy
Brownie points if it's an ArcSystem Works character (BlazBlue, Guilry Gear, etc.)
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Post it in the public chat section.
OR
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