yeezus by the guy who hates jews

6.25/10

favorite tracks (not in any order): black skinhead, new slaves, blood on the leaves, bound 2

worst tracks: guilt trip, i'm in it

made this because it reminded me of the janitor account. btw @yeezus. if you see this, i wanna see you break your "YEEZUS" comment streak: life of pablo is better than this in almost every way, and saint pablo is his best ever song, convince me otherwise.

if this blows up, check out my profile, i got more album reviews to piss you off. I also take requests, hmu if you want me to review one.

this album review is gonna piss off a certain yeezus fan, right?

I've been to a show for ye on his yeezus tour, and honestly it was one of the best shows i've ever been to. But, this is an album review though, and it isn't his best work.

It's insanely obvious that the best word to describe this record is 'abrasive.' It's insanely experimental, it's so inconsistent in production and vocals that it compliments the style ye chose to roll with the vibe on this record. You can't say that about a lot of experimental albums as a whole. They use weird ass noises to make great sounds and beats. You'd think anybody couldn't get away with throwing a bunch of weird ass noises on a track and expect it to work, but here we are. Mr. West absolutely gives us the level of talent you need to make a good experimental album.

I love the aesthetic of the album, and there's great songs with here, but they're coupled with songs that are hard skips. The misses on this album are good examples of what happens when either the weird vocals, questionable features, or bad production ruins everything about one song.

A good example of this is on sight. I personally grew numb to how fucking loud the first beat is, and the beat switch is literally the only redeeming part of the song. If you actually sit down and listen to what kanye says, it's batshit stupid💀. For reference, i want you to take a second thought at the 'i got her back in and put my dick in her mouth' and 'baby girl tryna get a nut, and her girl tryna give it up' line next time you listen to it.

I won't go into detail, but there's more dumb verses from ye on i'm in it and send it up. Some are obviously better than others, but these were the all the songs, including on sight, that i have big issues with. But oh boy, i think that guilt trip is just a completely underwhelming song to listen to. The sample is pitched excessively low, the beat has weird synths scattered through it, and the kid cudi feature was if not the worst on the album.

If i had to describe this album as concise as possible: creative and loud production, weird autotune, and forgettable lyricism. This is the same album where ye decided to list God as a feature. That tells you something, alright.

(why are you reading an album review on an ai chat site? tf wrong with you)

currents by kevin parker (thats his real name)

7.5/10

favorite tracks (not in any order): let it happen, the moment, eventually, love/paranoia, new person same old mistakes

worst tracks: past life, disciples

requested by @Vegapunk2

this is going to piss off tame impala fans, right?

this thing has more synths than lead guitars, and that says something. I like it though, but ask other people and you'll get mixed opinions.

tame's psychedelic and colorful production is amazing on this album, but for me, i think all the songs bunched up together are both diverse and inconsistent in their own way. I can't really say anything bad about the production, it's just full of dreamy, creative, and aesthetic beats and melodies. I also love all of the effects and the little glitches scattered around the record that add to the stylistic approach on this.

And although this a great album, don't get me wrong, the vocals here are questionable. Although I'm praising all the effects found on this album, I wish he didn't use any on his voice, because his vocals are actually WASHED for a chunk of all the songs. It's not the worst thing ever, but it 100% got annoying for me as i listened through the entire album. A good example of weird vocals is on past life, which just feels like a filler to me.

For a general rule of thumb, I'd listen to the first half of it a lot more than the second half, maybe because the first half has songs that actually sound finished💀. But, the album does close with a strong song. This didn't feel like an underwhelming album at all, it's just that there's weak and overbearing vocals sprinkled around when you're past the halfway point on this record.

If anybody is pissed about why I gave this a 7.5/10, I think this album is comparable too DAMN by kendrick to why i chose this rating. In the end, they're both a flawed album, it has some really great highs but it absolutely has its lows. currents has great production but a bad voice, and DAMN has a great voice with bad production. A lot of people really only consider the good songs on the album and disregard all the misses. Yes, you can enjoy your DNAs, let it happens, HUMBLEs, less i know the betters, LOVEs, and new person same old mistakes, but you probably don't like past life, YAH, disciples, and GOD, do you?

This is a very influential album though, you'd be hardpressed to find a lot more indie music made after this to not be influenced by currents. This aged very well, but there's flaws in it, just like so many other albums by any other artist.

btw i don't listen a lot to this genre of music, so take this with a grain of salt (like literally any other review i make on here)

(why are you reading an album review on an ai chat site? tf wrong with you)

eternal sunshine by cat from victorious

6.5/10

favorite tracks (not in any order): bye, don't wanna break up again, supernatural, true story, imperfect for you

worst track: we can't be friends

this is gonna piss off ariana grande fans, right?

i don't listen to this girl outside of the radio, but somebody on the janitor ai disc asked me to rate it. long story short, i feel like this is good enough for me to put effort into rating this.

apparently this has drama behind it, idk anything about it, so i'll only give an opinion on how good this is sonically.

I don't know much about ariana's style of music nowadays, but this tape 100% feels like she's moving somewhat away from music made solely for it to chart. In other words, it doesn't sound like it was made so bland that anybody who would listen to it would say it sounds decent.

I enjoy all of her vocals for about 90% of the songs, and she does a great job with singing and all that.

When it comes to production, it's tolerable, i guess. It's basic, gives off disco pop vibes to me. For my favorite tracks, i literally only chose the songs that had good vocals paired with production that actually gives off enjoyable energy. Funny enough, the most popular track has if not the worst production on the record💀.

the first half sounds way better to me than the second half, mainly because the first half sounds like it has songs that doesn't sound unimaginative and boring.

Again, i don't understand what's generally going around ariana's life right now, and I don't know if any of the lyrics tie to stuff around her life. Minus the context, i think the lyricism by her is very introspective and pretty. If you put a papers with lyrics to every one of the songs on here in front of me and judge every one of her songs solely based off of that, i would think that this is shakespeare for basic white girls.

I would come back to a few of these tracks over time, and i think that my favorite tracks are also the ones that feel like the ones that would age well. But the album altogether? mid.

(why are you reading an album review on an ai chat site? tf wrong with you)